Super Psychic Policeman Chojo reveals its theme songs
The October psychic-cop comedy has named M!LK for its opening theme and 至福ぽんちょ for its ending, and put both behind a second main promotional video.
The anime adaptation of Shun Numata’s manga Super Psychic Policeman Chojo has confirmed both of its theme songs, two weeks before it goes on air. The production committee named M!LK for the opening and 至福ぽんちょ for the ending on the show’s own site, and released the second main promotional video cut to the opening track.
What the two songs are
M!LK’s opening is titled 「ザッツ！超常」. The official listing credits 山崎あおい with the lyrics and composition, 炭竃智弘 with the arrangement and puts the release through Colourful Records and Victor Entertainment. The ending, 「またあした」, belongs to 至福ぽんちょ and is written and composed by 神谷泰地.
Both songs arrive with the second main promotional video, which the production committee published alongside the announcement and which leans on the opening track rather than dialogue. That is the pattern most television anime now follow in the final fortnight before transmission: the music announcement doubles as the last full trailer.
When it airs, and who makes it
The series begins on 6 October 2026. Junichi Yamamoto directs, Hayashi Mori handles series composition and scripts, Masakatsu Sasaki designs the characters and Arvo Animation produces. The source manga runs in Shueisha’s Jump Comics line and is eight volumes deep, which is a comfortable amount of material for a first season.
Who is in it
Yusuke Kobayashi voices the title character, with Daisuke Ono, Maria Naganawa and Kis-My-Ft2’s Toshiya Miyata among the supporting cast. Miyata is doing double duty: the site lists him as a cast member and as the show’s public relations ambassador, a pairing the production committee announced separately in early September.
Our opinion
Two theme songs and a promo video is a small announcement, and this one is worth noting for how it is built rather than for what it says. Committing to a five-member vocal group for the opening and a single act for the ending splits the show’s musical identity in a way that suits a comedy about a psychic police officer: the opening is the loud promise, the ending is the quieter joke that plays over the credits.
The Miyata arrangement is the more interesting decision. Public relations ambassadors are usually borrowed from outside the production, and giving the role to someone already voicing a character folds the marketing and the cast list into one name, which is cheaper and warmer than a campaign built on strangers. Autumn is crowded, and a series arriving on 6 October needs its cast to carry the message rather than a poster.